Artwork

Musique pyrothecnique, Charivarique et Diabolique

Musique pyrothecnique, Charivarique et Diabolique, by Honoré Daumier, ink, 1838
Musique pyrothecnique, Charivarique et Diabolique, by Honoré Daumier, ink, 1838

Musique pyrothecnique, Charivarique et Diabolique is an ink print by the Romanticist artist Honoré Daumier. It dates from 1838 and is held in the collection of the National Gallery of Art. Created in 1838, this lithograph on newsprint presents a disorderly musical ensemble under a flamboyant conductor.

About this work

Overview

The scene is cramped, with musicians tangled in instruments, a piano tucked in a corner, and a chaotic arrangement of furniture.

Created in 1838, this lithograph on newsprint presents a disorderly musical ensemble under a flamboyant conductor. The scene is cramped, with musicians tangled in instruments, a piano tucked in a corner, and a chaotic arrangement of furniture. The title, suggesting a “pyrotechnic, charivarian and diabolical” performance, signals that the image is a satirical parody rather than a faithful depiction of a concert.

Subject & Meaning

The work lampoons the pretensions of public performances, using the disarray of the orchestra to comment on broader social disorder. By exaggerating the musicians’ frustration and the conductor’s exaggerated gestures, Daumier critiques the superficiality and inefficiency he perceived in contemporary institutions, aligning the visual joke with his broader republican and anti‑establishment stance.

Technique & Style

Executed as a lithograph, the image employs the fluid, bold lines characteristic of Daumier’s printmaking. The use of newsprint as a substrate reflects the artist’s connection to the period’s satirical press, allowing rapid production and wide dissemination. The stark contrasts and exaggerated caricature amplify the comedic effect while retaining a keen observational quality.

History & Provenance

The lithograph emerged during Daumier’s prolific period of political and social commentary, spanning the July Revolution of 1830 to the end of the Second Empire. It was likely produced for circulation in satirical journals such as La Caricature or Le Charivari, venues through which Daumier reached a broad audience and cemented his reputation as a critical voice in French visual culture.

Poète classique composant une églogue...
Poète classique composant une églogue..., Honoré Daumier

Artist & collection

Portrait of Honoré Daumier

Artist

Honoré Daumier

Honoré-Victorin Daumier (French: ; 26 February 1808 – 10 or 11 February 1879) was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the…

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.

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Frequently asked questions

Who painted Musique pyrothecnique, Charivarique et Diabolique?

Musique pyrothecnique, Charivarique et Diabolique was painted by Honoré Daumier in 1838.

Where can I see Musique pyrothecnique, Charivarique et Diabolique?

Musique pyrothecnique, Charivarique et Diabolique is held by National Gallery of Art.

What movement is Musique pyrothecnique, Charivarique et Diabolique?

Musique pyrothecnique, Charivarique et Diabolique is associated with Romanticism.

Can I buy a print of Musique pyrothecnique, Charivarique et Diabolique?

Museum-quality prints of Musique pyrothecnique, Charivarique et Diabolique are available made-to-order from Artifact World Gallery.