Artwork
Femmes poursuivies par des satyres
Femmes poursuivies par des satyres is an oil painting by the Realist artist Honoré Daumier. It dates from 1850 and is held in the collection of the Montreal Museum of Fine Arts.
About this work
Overview
Honoré Daumier’s oil painting, titled Femmes poursuivies par des satyres, dates from around 1850 and is part of the collection of the Montreal Museum of Fine Arts. The work presents a dramatic encounter in an open, verdant setting, using a limited palette and strong contrasts to focus attention on the central figures.
Subject & Meaning
The canvas shows a woman in a white blouse and red skirt being borne by a dark‑clad man across a lush landscape. Her relaxed posture and tilted head contrast with the man’s strained effort, suggesting a narrative of pursuit or rescue that invites speculation about power dynamics and vulnerability.
Technique & Style
Daumier employs chiaroscuro to model the figures, creating depth through the interplay of light and shadow. The brushwork is brisk yet controlled, rendering foliage and sky with a loose, atmospheric quality while maintaining clear definition of the protagonists, a hallmark of his mid‑nineteenth‑century realist approach.
History & Provenance
Created circa 1850, the painting entered the Montreal Museum of Fine Arts’ holdings in the twentieth century, though precise acquisition details remain sparse. Its presence in a Canadian institution reflects the broader dispersal of Daumier’s works beyond France during the period after his death.
Context
Daumier, better known for his satirical caricatures, occasionally turned to narrative painting, exploring social themes through everyday scenes. This work aligns with his interest in depicting human folly and tension, echoing contemporary literary and theatrical motifs that featured mythic pursuers such as satyrs.
Artist & collection
Artist
Honoré-Victorin Daumier (French: ; 26 February 1808 – 10 or 11 February 1879) was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the…
