Who painted Bald Man with Open Mouth, Looking Down?

Bald Man with Open Mouth, Looking Down was painted by Rembrandt van Rijn in 1630.

Where can I see Bald Man with Open Mouth, Looking Down?

Bald Man with Open Mouth, Looking Down is held by National Gallery of Art.

What movement is Bald Man with Open Mouth, Looking Down?

Bald Man with Open Mouth, Looking Down is associated with Baroque.

Can I buy a print of Bald Man with Open Mouth, Looking Down?

Museum-quality prints of Bald Man with Open Mouth, Looking Down are available made-to-order from Artifact World Gallery.

Artwork

Bald Man with Open Mouth, Looking Down

Rembrandt van Rijn , 1630

Bald Man with Open Mouth, Looking Down is an ink print by the Baroque artist Rembrandt van Rijn. It dates from 1630 and is held in the collection of the National Gallery of Art.

About this work

Overview

Rembrandt van Rijn’s print, dated around 1630, depicts a bald male figure whose head is turned slightly downward. The subject’s mouth is open, suggesting speech or a gasp, and the composition is rendered in a single sheet of light‑toned paper that shows signs of age and handling.

Subject & Meaning

The figure’s exposed expression, with an open mouth and a downward gaze, conveys a moment of intense emotion or contemplation. The unfinished quality of the hair and beard, rendered in sketchy strokes, adds a sense of immediacy, inviting viewers to consider the psychological state of the sitter.

Technique & Style

Created with etching and burin work, Rembrandt incised deep, irregular lines into a copper plate. The pronounced scratches catch light differently than smoother areas, producing a textured surface that suggests volume. The rough, almost spontaneous line work contrasts with the controlled precision of the burin, characteristic of his early printmaking experiments.

History & Provenance

The print belongs to Rembrandt’s early period, when he was exploring the expressive possibilities of drypoint and etching. Though the exact ownership trail is unclear, the work is typical of his output from the early 1630s and is held in several public collections that document his development as a printmaker.