Who painted Old Man with a Divided Fur Cap?

Old Man with a Divided Fur Cap was painted by Rembrandt van Rijn in 1640.

Where can I see Old Man with a Divided Fur Cap?

Old Man with a Divided Fur Cap is held by National Gallery of Art.

What movement is Old Man with a Divided Fur Cap?

Old Man with a Divided Fur Cap is associated with Baroque.

Can I buy a print of Old Man with a Divided Fur Cap?

Museum-quality prints of Old Man with a Divided Fur Cap are available made-to-order from Artifact World Gallery.

Artwork

Old Man with a Divided Fur Cap

Rembrandt van Rijn , 1640

Old Man with a Divided Fur Cap is an ink print by the Baroque artist Rembrandt van Rijn. It dates from 1640 and is held in the collection of the National Gallery of Art.

About this work

Overview

Old Man with a Divided Fur Cap, a print by Rembrandt van Rijn from 1640, depicts a mature figure characterized by a prominent beard and a distinctive fur-lined cap. The subject's attire suggests warmth and bulk, with an unidentified small object held in the left hand.

Subject & Meaning

The subject, an older man, is portrayed in a manner that emphasizes texture and character. The loose, expressive lines contribute to a sense of ruggedness, while the cap and heavy clothing imply a practical or possibly humble demeanor. The small, unidentifiable object in his hand adds a hint of narrative mystery.

Technique & Style

Rembrandt employed a combination of etching and drypoint techniques to achieve a textured, nearly three-dimensional effect, particularly in rendering the fur cap and the subject's wrinkles. The scratchy, loose lines throughout the piece enhance its tactile quality.

History & Provenance

Created in 1640, specific details regarding the print's early ownership and exhibition history are not provided in the available information.

Context

This etching reflects Rembrandt's exploration of everyday subjects and his mastery of capturing character through expressive, textured prints during the 17th century.

Legacy

While specific legacy details for this piece are not outlined, it contributes to Rembrandt's broader reputation for innovative printmaking and nuanced character studies.