Artwork

Diptych from the Winterfeld family foundation left wing, obverse: St Mary Magdalene held aloft by angels

Diptych from the Winterfeld family foundation left wing, obverse: St Mary Magdalene held aloft by angels, by Unknown, unspecified, 1432
Diptych from the Winterfeld family foundation left wing, obverse: St Mary Magdalene held aloft by angels, by Unknown, unspecified, 1432

Diptych from the Winterfeld family foundation left wing, obverse: St Mary Magdalene held aloft by angels is an unspecified painting by the Northern Renaissance artist Unknown. It dates from 1432 and is held in the collection of the National Museum in Warsaw. The diptych’s left wing presents a figure of St Mary Magdalene suspended in a brown robe, surrounded by seven angels who support her ascent.

About this work

Overview

The diptych’s left wing presents a figure of St Mary Magdalene suspended in a brown robe, surrounded by seven angels who support her ascent. The composition is set against a deep blue sky dotted with golden stars, while a modest landscape of trees and hills lies beneath. The scene balances celestial activity with a tranquil, elevated central figure.

Subject & Meaning

Mary Magdalene is depicted in a moment of spiritual elevation, her serene expression suggesting contemplation or divine favor. The angels, some bearing halos, emphasize her sanctity and the notion of heavenly intercession, reinforcing the theme of redemption and the soul’s ascent toward the divine.

Technique & Style

The painter employs chiaroscuro, using contrasts of light and shadow to model the figures and give depth to the night sky. The angels’ wings and garments merge with the star‑filled background, creating a seamless visual flow that unifies the celestial and terrestrial elements.

History & Provenance

This work forms part of a diptych from the Winterfeld family foundation, indicating its original function within a private devotional setting. The left wing, showing Mary Magdalene, suggests a paired counterpart likely depicting another saint or biblical scene, typical of 17th‑century private altarpieces.

Context

The composition reflects Baroque sensibilities, where dramatic lighting, dynamic movement, and emotional intensity were employed to engage viewers spiritually. The inclusion of multiple angels and a starry firmament aligns with contemporary iconography that linked saints with celestial realms.

Diptych from the Winterfeld family foundation right wing: Maria lactans and Christ as Vir Dolorum [Man of Sorrows] (upper area), Ecce Homo (lower area); reverse: Mocking (upper area), flagella
Diptych from the Winterfeld family foundation right wing: Maria lactans and Christ as Vir Dolorum [Man of Sorrows] (upper area), Ecce Homo (lower area); reverse: Mocking (upper area), flagella, Unknown

Artist & collection

Artist

Unknown

entity whose identity is not known

Frequently asked questions

Who painted Diptych from the Winterfeld family foundation left wing, obverse: St Mary Magdalene held aloft by angels?

Diptych from the Winterfeld family foundation left wing, obverse: St Mary Magdalene held aloft by angels was painted by Unknown in 1432.

Where can I see Diptych from the Winterfeld family foundation left wing, obverse: St Mary Magdalene held aloft by angels?

Diptych from the Winterfeld family foundation left wing, obverse: St Mary Magdalene held aloft by angels is held by National Museum in Warsaw.

What movement is Diptych from the Winterfeld family foundation left wing, obverse: St Mary Magdalene held aloft by angels?

Diptych from the Winterfeld family foundation left wing, obverse: St Mary Magdalene held aloft by angels is associated with Northern Renaissance.