The eldest brother explains the reason for his youthful appearance, from a Tuti-nama (Tales of a Parrot): Forty-ninth Night
1560
unspecified
From the collection of Cleveland Museum of Art
1560
unspecified
From the collection of Cleveland Museum of Art
The eldest brother explains the reason for his youthful appearance, from a Tuti-nama (Tales of a Parrot): Forty-ninth Night is a 1560 unspecified by Unknown, a Mughal Painting work, held at Cleveland Museum of Art.
A king’s advisor sits on the floor, talking to the oldest of three brothers. The old man looks younger than his siblings, though his beard is streaked with gray. The story comes from a book of parrot tales read aloud at the Mughal court. The oldest brother says he stays young because his life is calm—good harvests, a happy wife, no worries. The artist painted every wrinkle and fold in the robes to show the brothers’ ages clearly. To see more paintings like this, look up Mughal India, court of Akbar (reigned 1556–1605).
A king’s official sits conversing with the oldest of three brothers. Despite his advanced age, the man appears younger than all of his siblings. When asked, he explains that he has not aged because his life is free of anxiety: his farm yields abundant crops, and his wife is obedient and happy.
Strings of pearls are braided into the woman’s hair.
Read the full account in the museum source.
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