Untitled

The work titled Untitled was produced in India around 1650 by an anonymous painter, employing ink and opaque watercolor on paper to depict Krishna alongside a man and a woman. Following its execution, the painting entered the collection of the Metropolitan Museum of Art, where it remains. The piece measures 17.1 by 20.8 centimeters and is classified within the museum's paintings department.

The specific inventory or accession number is not provided in the available records, and no exhibition history is documented; the sources confirm its origin in India and its creation during the mid-seventeenth century.

Untitled, dated 1650, is an ink and opaque watercolor on paper painting classified as mythology and depicting Krishna, a man, and a woman. Attributed to an anonymous Indian artist, it was created in India and is held by the Metropolitan Museum of Art, where it sits within the broader tradition of early modern Indian miniature painting and courtly workshop production.

Recorded as Untitled and dated 1650, this work is part of the Metropolitan Museum of Art's collection, a status that has made it a reference point for studies of seventeenth-century Indian mythological painting. Its representation of Krishna alongside a man and a woman exemplifies narrative strategies used to trace the evolution of Hindu iconography in visual culture. Its anonymous authorship reflects typical workshop practice in seventeenth-century Indian painting, and its presence in a major museum has supported its reputation as an exemplar of such production.

This untitled painting, rendered in ink and opaque watercolor on paper, presents a vibrant and dynamic scene. Numerous figures, including the blue-skinned deity Krishna, women in colorful saris, and men playing musical instruments, populate the small sheet. The artwork's spontaneous quality, characterized by its swift lines and translucent washes, suggests an intimate or preparatory function, though its original purpose and creator remain unrecorded.