Artwork
Wijnand Wijnands

Wijnand Wijnands is an oil painting by the Dutch Golden Age artist Unknown. It dates from 1660 and is held in the collection of the Rijksmuseum.
About this work
Technique & Style
The portrait of Wijnand Wijnands, dated to 1660, is executed in oil paint on a copper support. This small-scale panel measures 20 cm in height and 15.7 cm in width. The work is classified as a portrait genre piece originating from Holland.
The use of copper as a support material is a distinctive technical choice for this period and location, often associated with detailed, refined portraiture.
History & Provenance
According to the available records, the painting was previously owned by Jacobus Salomon Hendrik van de Poll before entering the museum's holdings.
Created in 1660, this portrait was executed in oil paint on a copper support within Holland. The work measures 20 cm in height and 15.7 cm in width. Historical records indicate that the painting was once owned by Jacobus Salomon Hendrik van de Poll.
It is currently held in the collection of the Rijksmuseum. While the artist is identified as Wijnand Wijnands in some internal records, the piece has also been described as an anonymous painting within the museum's context.
The work is held in the collection of the Rijksmuseum, where it remains on display. According to the available records, the painting was previously owned by Jacobus Salomon Hendrik van de Poll before entering the museum's holdings. Executed on copper in 1660, the portrait was made in Holland and measures 20 by 15.7 cm. No specific accession number or detailed exhibition history is recorded in the available sources.
Overview
The work titled “Wijnand Wijnands” is a copper portrait depicting a man in a dark coat with a white lace collar and cuffs. His curly hair extends beyond his shoulders, and a subtle mustache frames his face. The composition is set against an unadorned dark background that concentrates attention on the sitter.
Subject & Meaning
The sitter appears poised and contemplative, his expression calm yet serious, with a faint hint of a smile. The attire and grooming suggest a person of some social standing, while the restrained demeanor conveys a sense of personal dignity without overt narrative.
Context
The use of copper as a support aligns with a tradition of metal panels employed by artists seeking a luminous surface. The chiaroscuro lighting recalls Baroque practices, where dramatic contrast was used to model form and convey psychological depth.
Artist & collection


















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