Portrait of a Woman with a Man at a Casement

Filippo Lippi created this tempera on wood panel between approximately 1435 and 1436, a dating supported by stylistic analysis linking it to the artist's stay in Padua. The work is unanimously attributed to Lippi. A coat of arms on the windowsill identifies the Florentine Scolari family, suggesting the painting was commissioned to commemorate a betrothal, a marriage, or a deceased bride.

Scholars commonly associate it with the 1436 marriage of Lorenzo di Ranieri Scolari and Angiola di Bernardo Sapiti. The painting's early provenance is uncertain; however, it was purchased in Florence in 1829 by an English collector. It later entered the collection of Henry Gurdon Marquand, who bequeathed it to the Metropolitan Museum of Art in 1889, where it remains today.

The work is housed in the Metropolitan Museum of Art, New York, having entered the collection through the bequest of Henry Gurdon Marquand in 1889. Its accession is recorded as part of the Marquand collection, and it remains on view in the museum’s European paintings galleries. The painting was included in the exhibition "The Renaissance Portrait: From Donatello to Bellini," which presented the work alongside other early portraiture to highlight its significance as an early double portrait.

The painting occupies a foundational position in the history of Italian and European portraiture. Stylistic analysis dates it to Fra Filippo Lippi's Paduan sojourn of 1435–1436, and it is recognized as the earliest known double portrait in existence. It is also regarded as the first European painting to insert the portrait format into an architectural setting with a landscape background, a device Lippi adapted from Early Netherlandish prototypes.

The bird's-eye view through a window onto a canal quay with flower boxes is identified as a distinctly Northern motif. Together with Pisanello's Portrait of an Este Princess, dated circa 1435–1449, the work is considered one of the earliest Italian examples of the female portrait. The coat of arms on the windowsill belongs to the Florentine Scolari family, and the panel is generally linked to the 1436 marriage of Lorenzo di Ranieri Scolari and Angiola di Bernardo Sapiti, suggesting a commemorative function for a betrothal, marriage, or deceased bride.

This painting, titled Portrait of a Woman with a Man at a Casement, is rendered on a wood panel. It presents a prominent female figure positioned in the foreground, accompanied by a male figure subtly appearing in the background. The composition emphasizes the woman's presence through her attire and direct engagement, while the man's partial visibility adds a narrative element to the scene.