Who painted Untitled?

Untitled was painted by Fukae Roshū in early 18th century.

Where can I see Untitled?

Untitled is held by Metropolitan Museum of Art.

What movement is Untitled?

Untitled is associated with Baroque.

Artwork

Untitled

Fukae Roshū , 1716

Untitled is an unspecified painting by the Baroque artist Fukae Roshū. It dates from 1716 and is held in the collection of the Metropolitan Museum of Art.

About this work

Technique & Style

The work is a fan mounted as a hanging scroll, a format that adapts the rigid, curved surface of a folding fan into a flat, vertical presentation.

The work is a fan mounted as a hanging scroll, a format that adapts the rigid, curved surface of a folding fan into a flat, vertical presentation. Classified within the Met's paintings holdings, it is rendered as a landscape composition and depicts a man, consistent with the Edo-period practice of combining figural and landscape elements on a single ground. The medium designation of a fan remounted as a hanging scroll indicates that the original painted paper or silk leaf has been preserved and backed onto a scroll format for display.

History & Provenance

The artwork titled Untitled was created by the artist Fukae Roshū in 1716. Originating in Japan, the piece is a landscape painting that depicts a man. It was executed on a fan which was subsequently mounted as a hanging scroll. The work is currently held in the collection of the Metropolitan Museum of Art.

The work is held in the collection of the Metropolitan Museum of Art, where it is classified as a painting. The piece was created in 1716 by Fukae Roshū and originates from Japan. While the specific inventory or accession number is not provided in the available records, the museum maintains the fan mounted as a hanging scroll within its holdings. No exhibition history is documented in the provided sources.

Overview

Created in 1716 by the Japanese painter Fukae Roshū, this untitled work is executed on a fan that is later mounted as a hanging scroll. The composition presents a solitary figure in a dark robe positioned on a rugged path beside a waterfall, rendered in the delicate brushwork typical of early eighteenth‑century Japanese landscape painting.

Subject & Meaning

The central figure, a lone man cloaked in dark fabric, stands poised on the stone‑lined trail, suggesting contemplation or a moment of transition. The surrounding waterfall and craggy terrain frame the figure, emphasizing a dialogue between human presence and the natural world.