Artwork

A Prince Performs Austerities (recto), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (1670–1740)

A Prince Performs Austerities (recto), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (1670–1740), by Unknown, unspecified, 1704
A Prince Performs Austerities (recto), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (1670–1740), by Unknown, unspecified, 1704

A Prince Performs Austerities (recto), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (1670–1740) is an unspecified painting by the Baroque artist Unknown. It dates from 1704 and is held in the collection of the Cleveland Museum of Art.

Accession no.
2018.175.a
Credit line
Purchase and partial gift from the Catherine and Ralph Benkaim Collection; Severance and Greta Millikin Purchase Fund

About this work

Overview

This 18th-century Indian painting depicts a prince engaged in intense spiritual practices in a forest setting, as part of a narrative from the romance of Chandrabhanu and Lavanyavati by Upendra Bhanja.

Subject & Meaning

The prince undertakes severe austerities, yoga amidst flames during the hot season and exposure to monsoon rains, to gain a divine woman, illustrating devotion and perseverance in pursuit of a spiritual or romantic goal.

Technique & Style

The artwork contrasts the harsh, dual environment of fire and rain with the prince's serene, focused expression, highlighting the artist's ability to convey juxtaposed emotional and physical states within a single scene.

History & Provenance

Originating from Eastern India (likely Odisha, formerly Orissa), this painting is part of a larger illustrated narrative from Upendra Bhanja's 18th-century romance, with the recto and verso together telling a story of spiritual endeavor and divine reward.

Context

Created in the 1700s, this work reflects the cultural and literary themes of its time, blending religious devotion with the quest for love, characteristic of Indian romances from the period.

Legacy

As part of a traditional Indian love story's illustration, it contributes to the visual heritage of Eastern Indian art, particularly from Odisha, offering insights into the region's artistic and literary traditions.

A Prince Performs Austerities (recto); Shiva and His Followers Return to Mount Kailash (verso), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (1670–1740)
A Prince Performs Austerities (recto); Shiva and His Followers Return to Mount Kailash (verso), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (1670–1740), Unknown

Artist & collection

Artist

Unknown

entity whose identity is not known

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.

Frequently asked questions

Who painted A Prince Performs Austerities (recto), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (1670–1740)?

A Prince Performs Austerities (recto), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (1670–1740) was painted by Unknown in 1704.

Where can I see A Prince Performs Austerities (recto), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (1670–1740)?

A Prince Performs Austerities (recto), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (1670–1740) is held by Cleveland Museum of Art.

What movement is A Prince Performs Austerities (recto), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (1670–1740)?

A Prince Performs Austerities (recto), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (1670–1740) is associated with Baroque.