Antonia Amalia. Duchess of Brunswick and Lüneburg. Born 22 April 1696

The portrait of Princess Antoinette of Brunswick-Wolfenbüttel, painted in 1800 on copper by KMS Stroe, entered the collection of the Statens Museum for Kunst, where it has been displayed as a representative example of early 19th-century European portraiture. Scholars have examined its technical execution and iconography within the broader context of German court portraiture, noting its role in documenting aristocratic identity during a period of political transformation. The work's stylistic features align with contemporary developments in portrait painting, reflecting both the influence of neoclassical aesthetics and the personal patronage of the Duchess of Brunswick and Lüneburg.

Its placement in the museum's collection underscores its significance as a documented artifact of the era's artistic practices.

This copper portrait depicts Antonia Amalia, Duchess of Brunswick and Lüneburg, seated in an elaborate chair. She wears a black gown trimmed with white fur and gold accents, a pearl necklace, and her hair is styled back. A small dog rests on her lap, and a red cushion is tucked under her arm, while a swirled curtain and a gilded throne form the background.

The sitter is identified by the inscription bearing her name, confirming the work as a formal representation of the duchess. The inclusion of luxurious garments, fur trim, and jewelry underscores her high rank, while the dog, a common symbol of fidelity, reinforces notions of loyalty and domestic virtue expected of noble women.