Artwork
Portrait of Elizabeth and Philadelphia Wharton

Portrait of Elizabeth and Philadelphia Wharton is an oil painting by the Flemish Baroque painting artist Anthony van Dyck. It dates from 1640 and is held in the collection of the Hermitage Museum.
About this work
Subject & Meaning
Created in Flanders, the piece functions as a formal record of the sitters, capturing their appearance during the mid-seventeenth century.
This 1640 oil painting by Anthony van Dyck portrays the sisters Elizabeth and Philadelphia Wharton. As a double portrait, the work focuses entirely on the likenesses and presence of these two specific individuals, who serve as the exclusive subjects of the composition. Created in Flanders, the piece functions as a formal record of the sitters, capturing their appearance during the mid-seventeenth century.
The available records identify the sisters as the main subjects but do not provide details regarding specific symbolic attributes, iconographic elements, or broader allegorical meanings associated with their depiction.
Technique & Style
Executed in 1640, this portrait is an oil painting on canvas created by Anthony van Dyck in Flanders. The work measures 162 cm in height and 130 cm in width, presenting a formal composition of Elizabeth and Philadelphia Wharton. As a portrait genre piece, the application of oil paint on a textile support reflects the standard materials utilized by the artist during his later career.
History & Provenance
The work titled Portrait of Elizabeth and Philadelphia Wharton was painted by Anthony van Dyck in 1640 in Flanders. It portrays Elizabeth Wharton and her sister Philadelphia Wharton, daughters of the prominent colonial figure Robert Wharton. The painting entered the collection of the Hermitage Museum, where it remains on view.
The commission likely arose from the Wharton family’s social connections in the mid‑17th century, though specific patronage records are not extant. The work measures 162 cm by 130 cm and was created on canvas using oil paint. Its creation date aligns with van Dyck’s early English period, shortly after his arrival in London.
The painting Portrait of Elizabeth and Philadelphia Wharton by Anthony van Dyck is held in the Hermitage Museum in St. Petersburg, Russia, under inventory number 1835. It was created in 1640 in Flanders as an oil on canvas portrait. The work has been part of the Hermitage Museum's collection since its acquisition and has not been documented in major traveling exhibitions according to the provided records.
Overview
Anthony van Dyck’s 1640 oil painting presents two young sisters, Elizabeth and Philadelphia Wharton, standing before a plain dark backdrop. The composition is intimate, with the children positioned side by side, a small dog at their feet, and subtle gestures that link them visually. The work now belongs to the State Hermitage Museum’s collection.
Context
Created during van Dyck’s mature period, the work reflects the Flemish Baroque tradition he inherited from Rubens, yet it also anticipates the more refined portraiture that would dominate English court art. The painting illustrates the era’s emphasis on lineage, status, and the subtle display of wealth through clothing and accessories.
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Artist & collection
Artist
Sir Anthony van Dyck (; Dutch: Antoon van Dijck; 22 March 1599 – 9 December 1641) was a Flemish Baroque artist, who became the leading court painter in England after success in the Spanish Netherlands and Italy.
















