Who painted Self-Portrait in a Cap and Scarf with the Face Dark: Bust?

Self-Portrait in a Cap and Scarf with the Face Dark: Bust was painted by Rembrandt van Rijn in 1633.

Where can I see Self-Portrait in a Cap and Scarf with the Face Dark: Bust?

Self-Portrait in a Cap and Scarf with the Face Dark: Bust is held by Cleveland Museum of Art.

What movement is Self-Portrait in a Cap and Scarf with the Face Dark: Bust?

Self-Portrait in a Cap and Scarf with the Face Dark: Bust is associated with Baroque.

Artwork

Self-Portrait in a Cap and Scarf with the Face Dark: Bust

Rembrandt van Rijn , 1633

Self-Portrait in a Cap and Scarf with the Face Dark: Bust is a print by the Baroque artist Rembrandt van Rijn. It dates from 1633 and is held in the collection of the Cleveland Museum of Art.

Accession no.: 1968.255
Credit line: Gift of Mrs. John A. Hadden

About this work

Overview

Created in 1633, this print by Rembrandt van Rijn depicts the artist himself in a simple cap and loosely draped scarf. The composition shows a bust‑length view, with the figure’s head turned slightly away and a hand resting on his shoulder. The work is part of the collection of the Cleveland Museum of Art.

Technique & Style

Executed in black‑and‑white, the image relies on strong chiaroscuro, using dense cross‑hatching and textured lines to model light and shadow. The contrast between illuminated planes and deep darkness gives the face a three‑dimensional quality, emphasizing the contours of the cheekbones and the folds of the scarf.

Subject & Meaning

The portrait presents a self‑representation of Rembrandt, emphasizing modest attire and a contemplative pose. By obscuring part of his face and turning the head, the artist invites viewers to consider the act of looking and the fleeting nature of identity, rather than presenting a formal, idealized likeness.

History & Provenance

The print has remained in the public domain since its creation, eventually entering the holdings of the Cleveland Museum of Art. Its provenance reflects the museum’s focus on Dutch Golden Age works, where it serves as an example of Rembrandt’s early printmaking practice.

Context

Produced during Rembrandt’s early Amsterdam period, the work aligns with his exploration of light effects and self‑portraiture. At this time, the artist was experimenting with etching and drypoint, techniques that allowed rapid, expressive line work and deep tonal variation.