宋 佚名 倣李成 寒林策驢圖 軸|Travelers in a Wintry Forest

Created in 1116 in China, this hanging scroll is attributed to an anonymous artist working in the style of Li Cheng. The work, executed in ink and color on silk, entered the collection of the Metropolitan Museum of Art, where it is currently housed. While the specific circumstances of its original commission and the details of its ownership chain prior to arriving at the museum are not provided in the available records, the piece is firmly dated to the early 12th century. It is classified as a landscape painting depicting travelers, animals, and a forest setting.

Travelers in a Wintry Forest is held in the collection of the Metropolitan Museum of Art, as recorded in the work's cataloguing data. The painting, attributed to an anonymous artist working after Li Cheng and dated 1116, is classified within the museum's holdings as a painting and is catalogued as a hanging scroll executed in ink and color on silk. Its presence in the Metropolitan Museum of Art's collection is confirmed by the cataloguing entry for the work, which lists the institution as both its collection and its location.

The painting Travelers in a Wintry Forest, dated 1116 and attributed to an anonymous follower of Li Cheng, is executed in ink and color on silk as a hanging scroll. It portrays a wintry forest with travelers, animals and human figures. The work is part of the Metropolitan Museum of Art's collection, which underscores its status as a notable example of Northern Song landscape painting.

Its stylistic combination of Li Cheng's compositional grandeur with the anonymous painter's atmospheric detail makes it a reference point for scholars examining the development of Chinese landscape art.

Titled "Travelers in a Wintry Forest," this hanging scroll, executed in ink and color on silk, dates from 1116. It depicts a desolate, snow-covered landscape, characteristic of winter scenes in Chinese painting. Attributed to an anonymous artist working in the style of Li Cheng, the artwork captures a moment of human journey through a stark, cold environment.

Originating in China over nine centuries ago, this painting exemplifies the practice of artistic emulation. The anonymous creator consciously adopted the stylistic characteristics of Li Cheng, a significant landscape painter who lived two centuries earlier. This homage underscores the lasting impact of previous masters and the established tradition of learning through imitation within Chinese artistic circles.