Artwork
Bijan killing the wild boars of Irman, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020)

Bijan killing the wild boars of Irman, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020) is an unspecified painting. It dates from 1610 and is held in the collection of the Cleveland Museum of Art. The work depicts a scene from the Persian epic Shah‑namé, illustrating the hero Bijan confronting two ferocious boars.
About this work
History & Provenance
The manuscript painting Bijan killing the wild boars of Irman was produced in 1610 during the Safavid period in Iran.
The manuscript painting Bijan killing the wild boars of Irman was produced in 1610 during the Safavid period in Iran. It is part of a dispersed illustrated copy of the Shah-nama (Book of Kings) by Firdausi.
The work entered the Cleveland Museum of Art in 1948 as a gift of the John Huntington Art and Polytechnic Trust, where it has remained in the museum’s collection.
The painting is held by the Cleveland Museum of Art, where it carries the accession number 2013.283. It was acquired by the museum in 2013.
The work has been exhibited once under museum auspices, appearing in the Cleveland Museum of Art’s 2016 presentation “Revealing the African Presence in Renaissance Europe” (cat. no. 63).
Context
The painting illustrates a dynamic moment from the Shah-nama where Bijan confronts and slays a wild boar of Irman, embodying heroic valor in Persian epic narrative. Executed circa 1610, it reflects the continuation of narrative painting traditions within Safavid artistic circles, as seen in works attributed to the workshop of an anonymous master linked to the Cleveland Museum of Art's collection. The composition emphasizes muscular tension and dramatic chiaroscuro, aligning with contemporary Persian court patronage of illustrated manuscripts and Safavid genre painting.
Its stylistic treatment situates it within broader developments of 17th-century Persian visual culture, where figural realism and narrative intensity were increasingly foregrounded.
Overview
The work depicts a scene from the Persian epic Shah‑namé, illustrating the hero Bijan confronting two ferocious boars. Rendered in vivid colors, the composition centers on a rider in scarlet armor on a white horse, set against a gently rolling landscape with trees, a river and distant birds. Gold‑inscribed Persian script borders the image, framing the narrative tableau.
Subject & Meaning
The narrative captures Bijan’s legendary feat of slaying the wild boars of Irman, a test of bravery and martial skill celebrated in the Shah‑namé. The boars, rendered with exaggerated tusks and fierce gazes, function as symbolic adversaries, emphasizing the hero’s valor and the triumph of order over chaos.
Technique & Style
Executed in miniature painting tradition, the piece employs fine brushwork to detail the armor’s intricate patterns and the horse’s flowing mane. The palette combines bright reds, whites and earthy greens, while gold leaf enhances the decorative border. The stylized rendering of the boars, reminiscent of dragon motifs, reflects a synthesis of Persian narrative illustration and courtly aesthetic conventions.
Legacy
Miniature depictions of Shah‑namé episodes have informed subsequent Persian art, influencing later manuscript illumination and modern reinterpretations of the epic. The motif of the heroic rider confronting monstrous beasts continues to appear in contemporary Iranian visual culture, underscoring the enduring resonance of the narrative.
Artist & collection










