Return of the Prodigal Son
1636
ink
From the collection of National Gallery of Art
This sketch shows a group of three figures in a dimly lit room. One person kneels on the floor, hugging another who stands above them, while a third figure watches from the background. The lines are loose and scratchy, with lots of shading that makes the scene feel dramatic and emotional. The artist used a technique called drypoint to create the texture—you can see the tiny marks where the needle dug into the metal plate. This made the lines look rough and expressive, almost like scribbles. Next, look up etching to see how artists like Rembrandt made prints like this.