Who painted Saint Andrew (?)?

Saint Andrew (?) was painted by Simone Martini in 1340.

Where can I see Saint Andrew (?)?

Saint Andrew (?) is held by Museum of Fine Arts Boston.

What movement is Saint Andrew (?)?

Saint Andrew (?) is associated with Sienese School.

Can I buy a print of Saint Andrew (?)?

Museum-quality prints of Saint Andrew (?) are available made-to-order from Artifact World Gallery.

Artwork

Saint Andrew (?)

Simone Martini , 1340

Saint Andrew (?) is an unspecified painting by the Sienese School artist Simone Martini. It dates from 1340 and is held in the collection of the Museum of Fine Arts Boston.

About this work

Overview

Created around 1340, this panel by Simone Martini depicts a solitary saint in a solemn pose. The figure is rendered against a warm, golden backdrop that bears a subtle crackle texture, characteristic of medieval panel painting. The work is part of the collection of the Museum of Fine Arts in Boston, where it is displayed as an example of early Italian religious art.

Subject & Meaning

He holds a book in his left hand, suggesting a scholarly or evangelistic role, while his right hand is raised in a gesture of blessing or instruction.

The central figure is a bearded man with wavy hair, clothed in a green robe over a red tunic, his head encircled by an elaborate halo. He holds a book in his left hand, suggesting a scholarly or evangelistic role, while his right hand is raised in a gesture of blessing or instruction. The iconography aligns with traditional representations of Saint Andrew, though the identification remains uncertain.

Technique & Style

Martini employs a restrained palette of reds, greens, and gold, using fine brushwork to delineate the saint's features and garments. The halo’s intricate pattern and the delicate modeling of the face reveal an early use of chiaroscuro to suggest volume. The golden ground, with its faint crackle effect, reflects the medieval practice of applying a gesso ground before painting, lending the surface a tactile quality.

History & Provenance

The panel entered the Museum of Fine Arts, Boston, as part of its European medieval collection, though the exact acquisition details are not publicly recorded. Its attribution to Simone Martini rests on stylistic comparison with the artist’s documented works from the early 14th century, placing it within his mature period when he was active in Siena and other Italian courts.