The parrot addresses Khujasta at the beginning of the thirty-sixth night, from a Tuti-nama (Tales of a Parrot)

The work portrays a seated woman before a birdcage, a parrot perched atop the cage, and a richly patterned interior. She wears an orange skirt, a green blouse and gold ornaments, holding a small object that may be food. Behind her, a blue‑white tiled wall, a red railing and stylised palm fronds complete the setting, all rendered in vivid hues.

The scene is drawn from the opening of the thirty‑sixth night of the Tuti‑nama, a collection of Persian tales featuring a talking parrot. The woman, identified as Khujasta, appears to be addressing the bird, suggesting a narrative moment in which the parrot delivers counsel or storytelling, a common motif in the literary tradition.

Executed in oil on canvas, the painting employs a flat decorative approach typical of Persian miniature influences, with bold, saturated colours and intricate ornamental patterns. The contrast between the bright orange garment and the cool blue‑white background highlights the central figures, while the detailed rendering of jewelry and foliage reflects meticulous brushwork.