Provenance · Acquisition fund
Howard Mansfield Collection, Purchase, Rogers
This catalog gathers 69 public-domain works acquired through the Howard Mansfield Collection, Purchase, Rogers fund. Every work is held by Metropolitan Museum of Art.
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西王母図|Queen Mother of the West -
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英一蝶筆 地蔵菩薩図|Jizō Bosatsu -
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田崎草雲筆 養老の滝|Yōrō Waterfall -
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Miyako-gai|元禄歌仙貝合|Miyako Shell -
布袋図 (Hotei zu)|Hotei -
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女織蚕手業草 十|The Making of Silk Floss -
百人一首 うばがゑとき 三条院|Poem by Sanjō-in, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki) -
近江八景之内 三井晩鐘|Vesper Bells at Mii Temple -
百人一首 うばがゑとき 大納言経信|Poem by Dainagon Tsunenobu (Minamoto no Tsunenobu, Katsura no Dainagon), from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki) -
百人一首 うばがゑとき 伊勢|Poem by Ise, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki) -
鈴木春信画 雪中に筍を掘る女 見立孟宗|Woman Digging Bamboo Shoots in the Snow, or Parody of Meng Zong (Mōsō), from Twenty-Four Paragons of Filial Piety -
Masaki, boshun no kei|東都名所 真崎暮春之景|A View of Late Spring at Masaki -
歌川広重画 芥子に瑠璃鳥|A Bluebird and Poppies -
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木曽海道六拾九次之内 大井|Ōi Station -
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鳥居清広画 初代目尾上菊五郎|Kabuki Actor Onoe Kikugorō I in The Belle of Asakusa Temple (Keisei Asakusa no Kane) -
歌川広重画 芦に鷺|White Heron Standing among Reeds -
歌川広重画 雪中小松に錦雉|Golden Pheasant and Pine Shoots in Snow -
歌川広重画 朝顔に鶏と傘|Rooster, Umbrella, and Morning Glories -
名所江戸百景 目黒太鼓橋夕日の岡|The Taiko (Drum) Bridge and the Yuhi Mound at Meguro -
Sumidagawa no yuki|Sumida River in the Snow, from the series "Famous Places in Edo in the Four Seasons" -
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江戸近郊八景之内 飛鳥山暮雪|Asukayama in Evening Snow -
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勝川春好画 三代目澤村宗十郎 三代目佐野川市松 |Kabuki Actors Sawamura Sōjūrō III and Sanogawa Ichimatsu III in "A Courtesan’s Mirror for the Eastern Provinces" (Keisei Azuma kagami) -
Susaki yuki no hatsuhi|東都名所 洲崎雪之初日|New Year's Sunrise after Snow at Susaki -
近江八景之内 矢橋帰帆|Fishing Boats Returning to Yabase -
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山海見立相撲 備前偸賀山|Mount Yuga in Bizen Province (Bizen Yugasan), from the series Wrestling Matches between Mountains and Seas (Sankai mitate zumō) -
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二階座敷に三人の女|Three Women on a Balcony -
喜多川歌麿画 鮑取り|Abalone Divers -
東海道五十三次之内 庄野 白雨|Shower at Shōno -
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Tesage andon|The Hand Lantern -
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Kamakura no Koshi|The Filial Son at Kamakura, From the Book: Sasekishu -
Sanpuku Tsui|Moon in Musashi Province -
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On provenance & the public domain
A credit line — the small "Acquisition fund of…" note beside a work on a museum wall — records its provenance: how the object passed from a private hand into a public collection, whether as an outright gift, a bequest left in a will, the purchase from a named endowment, or an entire collection acquired at once. Because these works are in the public domain, anyone can study, share, and reproduce them freely. Browsing by provenance follows the human story behind a museum's holdings — the collectors and benefactors whose generosity put these works where the public can see them.
Every work in this catalog is in the public domain; images come from the museums that hold them.