Henry Frederick (1594–1612), Prince of Wales, with Sir John Harington (1592–1614), in the Hunting Field

Created in 1603, this oil-on-canvas portrait was executed by Robert Peake the Elder. It depicts Henry Frederick, Prince of Wales, alongside Sir John Harington within a hunting landscape, and measures 201.9 cm by 147.3 cm. The original commission and the immediate chain of ownership are not detailed in the available records, but the painting eventually entered the collection of the Metropolitan Museum of Art, New York, where it is classified as a portrait. It was included in the exhibition "The Tudors: Art and Majesty in Renaissance England," confirming its standing as a recognized example of Renaissance English portraiture. No accession number is recorded in the available sources.

Painted in 1603 by Robert Peake the Elder, this oil portrait depicts Henry Frederick, Prince of Wales, and Sir John Harington in a hunting landscape. The composition features the two youths dressed in green attire, positioned within a wooded setting populated by game animals. Henry Frederick stands on the right beside a dark horse, holding a sword, while Harington kneels to the left beside a stag with prominent antlers.

A white dog rests at the horse's feet, completing the hunting tableau. Created shortly after the accession of James I, the work serves as a dynastic statement, presenting the young heir apparent as a figure of martial readiness and aristocratic leisure. The painting exemplifies Peake's role as a leading court painter during the transition from the Elizabethan to the Jacobean era.

It reflects the period's emphasis on the prince's education and physical vigor, utilizing the hunting motif to symbolize nobility and control over nature. The work remains a significant example of early 17th-century British portraiture, capturing the specific identities of the sitters within an idealized natural environment.