Artifact World Gallery
Get the iOS app

Artwork

Amitābha Triad

Amitābha Triad, unspecified, 1449
Amitābha Triad, unspecified, 1449

Amitābha Triad is an unspecified painting. It dates from 1449 and is held in the collection of the Cleveland Museum of Art.

About this work

History & Provenance

Provenance information indicates the painting was acquired as part of the institution’s permanent holdings, with no further transfer details documented.

The Amitābha Triad is a religious painting created in 1449 by an unknown artist. The work dates to the mid-fifteenth century and was executed during the Ming dynasty period, though the specific circumstances of its commission and the identity of the patron remain unrecorded in available documentation. The painting later entered the collection of the Cleveland Museum of Art, where it is currently held under the accession number 1961.135.

No further details regarding its ownership chain prior to its acquisition by the museum are provided in the sources.

The Amitābha Triad, dated 1449, is held by the Cleveland Museum of Art in Cleveland, Ohio. The museum records the work under accession number 1961.135 and lists it within its religious art collection. Provenance information indicates the painting was acquired as part of the institution’s permanent holdings, with no further transfer details documented.

The work remains part of the museum’s South Asian art galleries, accessible to the public as part of the permanent display.

Overview

This painting depicts an Amitābha Triad, a common subject in Buddhist art, featuring three standing figures. The central deity is flanked by two attendant bodhisattvas, presented against a dark, atmospheric backdrop. The composition emphasizes the principal figure's serene presence, supported by the slightly smaller, richly adorned companions.

Subject & Meaning

At the center of the composition stands Amitābha Buddha, identifiable by the radiant halo encircling his head and his calm demeanor. He wears a red robe accented with gold. To either side, two bodhisattvas, likely Avalokiteśvara and Mahāsthāmaprāpta, complement the Buddha.

These figures are distinguished by their elaborate, patterned robes, crowns, and staffs, signifying their elevated spiritual status and role as compassionate guides within the Pure Land tradition.

Technique & Style

The artwork presents its three subjects standing upright and side-by-side, creating a balanced and formal arrangement. The central figure's prominence is highlighted by its larger scale and central placement. A dark background provides a dramatic contrast, allowing the vibrant colors of the robes and the luminous halo to stand out. Swirling cloud motifs and a sky-like pattern further enhance the ethereal atmosphere surrounding the divine assembly.

Amitābha Triad
Amitābha Triad

Artist & collection

SAME SUBJECT

Similarity 100 percent

VISUALLY SIMILAR

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.In the collection of Cleveland Museum of Art. Compiled & edited by , Editor & Founder.

Frequently asked questions

Where can I see Amitābha Triad?

Amitābha Triad is held by Cleveland Museum of Art.

What movement is Amitābha Triad?

Amitābha Triad is associated with Northern Renaissance.