Mughal Painting movement — works
613–648 of 2,004 works · most celebrated first
Page from Tales of a Parrot (Tuti-nama): text page
The parrot addresses Khujasta at the beginning of the fiftieth night, from a Tuti-nama (Tales of a Parrot): Fiftieth Night
Page from Tales of a Parrot (Tuti-nama): text page
The Parrot Addresses Khujasta at the Beginning of the Seventeenth Night, from a Tuti-nama (Tales of a Parrot)
The daughter-in-law of the king of Banaras, charmed by the music of a vagabond, comes down to meet him, from a Tuti-nama (Tales of a Parrot): Sixteenth Night
Page from Tales of a Parrot (Tuti-nama): text page
Mahliqa, Daughter of the Emperor of China, Pointing at the Bird-Man Khwaja Mubarak: A Leaf from a Poetical Romance Relating to Shah Alam I (recto)
Page from Tales of a Parrot (Tuti-nama): text page
Page from Tales of a Parrot (Tuti-nama): text page
The prince rejects the amorous advances of the king’s handmaiden, from a Tuti-nama (Tales of a Parrot): Eighth Night
Page from Tales of a Parrot (Tuti-nama): text page
Pancham Raga
The young man, who has magically taken on the appearance of Mansur the merchant, arrives at his home, from a Tuti-nama (Tales of a Parrot): Seventeenth Night
Sugriva challenges his brother Vali, King of the Forest Dwellers, to a duel, folio 10 from the Kishkindha Kanda (Book of Kishkindha) of a Ramayana (Rama’s Journey)
Three Musicians Perform Before a King: Shri Raga, from a Ragamala
Page from Tales of a Parrot (Tuti-nama): text page
The Parrot Addresses Khujasta at the Beginning of the Twenty-third Night, from a Tuti-nama (Tales of a Parrot)
Page from Tales of a Parrot (Tuti-nama): text page
Kamjuy, the wife of the Raja, averts her face from the fishes, from a Tuti-nama (Tales of a Parrot): Twenty-third Night
Page from Tales of a Parrot (Tuti-nama): text page
The mendicant’s wife deceives him with a soldier, from a Tuti-nama (Tales of a Parrot): Fourth Night
Two Women Pluck Flowers on a Terrace: Gunakali Ragini, from a Ragamala
Page from Tales of a Parrot (Tuti-nama): text page
The handmaiden again appeals for justice and the prince is led to the place of execution for the third time, from a Tuti-nama (Tales of a Parrot): Eighth Night
Page from Tales of a Parrot (Tuti-nama): text page
Page from Tales of a Parrot (Tuti-nama): text page
Ascetic Princess with Snakes in a Wilderness: Asavari Ragini, from a Ragamala
Page from Tales of a Parrot (Tuti-nama): text page
Page from Tales of a Parrot (Tuti-nama): text page
Page from Tales of a Parrot (Tuti-nama): text page
Page from Tales of a Parrot (Tuti-nama): text page
Page from Tales of a Parrot (Tuti-nama): text page
A Nakiya, probably Proshitaperyasi Nayika
Page from Tales of a Parrot (Tuti-nama): text page
Page from Tales of a Parrot (Tuti-nama): text page
Page from Tales of a Parrot (Tuti-nama): text page