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Page from Tales of a Parrot (Tuti-nama): text page
Duck in Flight
Scenes of Witchcraft: Day
Habbaza meets Bashir under a tree, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night
Desk Album: Flower and Bird Paintings (Peony)
On a Terrace
The fourth man digs at the spot where he dropped the shell, expecting jewels, but discovering mere iron, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night
The Goddess Kali (recto), from a Kalighat album
Return to Nazareth
Chrysanthemums and Cabbage
Listening to the Sound of Autumn in a Misty Grove
A Mughal courtier
Shahr-Arai’s husband bends to kiss his wife who feigns sleep, from a Tuti-nama (Tales of a Parrot): Fortieth Night
Rai Raja, from a Kalighat album
Kalpa-sutra Manuscript with 24 Miniatures: Birth of Rsabhanatha
The Wood Chopper
The Attractions of Music
Scholar Reclining and Watching Rising Clouds, Poem by Wang Wei
Harbor Scene
Funerary Portrait of a Woman
Album of Calligraphy and Paintings
Ragini Desakh of Meghamalhar
A Ruler Seated on a Terrace Worshipping at a Shrine of Radha and Krishna
Pradyumna and Mayavati Fly to Dvaraka, from the Large Basohli Bhagavata Purana
The origin of music from a fabulous bird of India which had seven holes in its beak, from a Tuti-nama (Tales of a Parrot): Fourteenth Night
The merchant’s daughter meets the gardener, from a Tuti-nama (Tales of a Parrot): Twelfth Night
Yaja and Upayaja perform a sacrifice for the emergence of Dhrishtadyumna from the fire, from Adi-parva (volume one) of the Razm-nama (Book of Wars) adapted and translated into Persian by Mir Ghiyath al-Din Ali Qazvini, known as Naqib Khan (Persian, d
Frieze of Dancers
Sudhana and a pair of antelopes, folio 37 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array)
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