Artifact World Gallery is an open archive of 193,155 public-domain artworks, gathered from the open-access collections of 481 museums and made by 27,569 identified artists. It is one of the largest free-to-download, fully-browsable collections of public-domain art anywhere — and because every work is catalogued by movement, colour, subject and date, the whole thing can be counted. Here is what an open archive of art at this scale actually contains.
- 193,155public-domain artworks
- 27,569identified artists
- 481museums with works
- 224art movements
- 2,812catalogued subjects
- 180,156works with a known date
The biggest art movements
Romanticism is the single most-represented movement, with 25,594 works — but it leads a crowded field. Impressionism and Realism follow close behind, each with more than twenty thousand works, and the archive runs to more than 224 movements in total once you reach the long tail of regional schools.
| Rank | Movement | Artists | Works | Share |
|---|---|---|---|---|
| 1 | Romanticism | 5,341 artists | 25,594 | 13.3% |
| 2 | Impressionism | 4,545 artists | 24,436 | 12.7% |
| 3 | Realism | 4,353 artists | 23,625 | 12.2% |
| 4 | Baroque | 3,203 artists | 15,170 | 7.9% |
| 5 | Renaissance | 1,735 artists | 10,489 | 5.4% |
| 6 | Rococo painting | 1,447 artists | 8,822 | 4.6% |
| 7 | Dutch Golden Age | 1,063 artists | 8,667 | 4.5% |
| 8 | Post-Impressionism | 1,205 artists | 5,716 | 3% |
| 9 | Early Baroque Italian | 634 artists | 4,484 | 2.3% |
| 10 | Flemish Baroque painting | 448 artists | 4,051 | 2.1% |
See the full movement ranking →
The palette of public-domain art
Map every work onto colour families and the archive turns out to be overwhelmingly warm. The most common families are saffron, umber and ochre — the earth tones of pre-modern painting — while cool blues and greens are comparatively rare. It is a portrait of centuries of pigment economics as much as taste.
Read the full colour breakdown →
When the art was made
The collection has a clear centre of gravity. The 19th century alone accounts for 63,957 dated works — 35.5% of everything with a known date — making it the busiest hundred years in the archive. Coverage climbs steeply from the 1400s and falls away again after 1900, as works move out of the public domain.
| Rank | Century | Years | Dated works | Share |
|---|---|---|---|---|
| 1 | 19th century | 1800s | 63,957 | 35.5% |
| 2 | 20th century | 1900s | 35,080 | 19.5% |
| 3 | 17th century | 1600s | 30,000 | 16.7% |
| 4 | 18th century | 1700s | 22,995 | 12.8% |
| 5 | 16th century | 1500s | 15,695 | 8.7% |
| 6 | 15th century | 1400s | 4,828 | 2.7% |
| 7 | 21st century | 2000s | 2,861 | 1.6% |
| 8 | 14th century | 1300s | 995 | 0.6% |
| 9 | 13th century | 1200s | 506 | 0.3% |
| 10 | 12th century | 1100s | 393 | 0.2% |
| 11 | 11th century | 1000s | 93 | 0.1% |
What the art is about
Catalogued subjects skew human and devotional: people, portraits and religious figures dominate, with the natural world — trees, flowers, landscape — close behind. These are the tags that power the archive's 2,812 browseable subjects.
| Rank | Subject | Works | Share |
|---|---|---|---|
| 1 | Man | 5,557 | 2.9% |
| 2 | Woman | 4,916 | 2.5% |
| 3 | Tree | 3,217 | 1.7% |
| 4 | Portrait | 2,217 | 1.1% |
| 5 | Mary | 2,057 | 1.1% |
| 6 | Christ Child | 1,979 | 1% |
| 7 | Womenswear | 1,918 | 1% |
| 8 | Flower | 1,728 | 0.9% |
| 9 | Jesus Christ | 1,488 | 0.8% |
| 10 | Landscape | 1,207 | 0.6% |
| 11 | Boat | 1,150 | 0.6% |
| 12 | House | 1,050 | 0.5% |
The most-represented artists
Ranked by number of catalogued works — with one honest caveat. A single large institutional holding can lift an artist's count far above their art-historical footprint (the costume and print archives of a few museums are why some names sit near the top). And the largest single group of all is anonymous: 24,592 works are attributed simply to an unidentified hand, and are excluded from the ranking below.
| Rank | Artist | Works |
|---|---|---|
| 1 | Honoré Daumier | 2,419 |
| 2 | Carven | 1,939 |
| 3 | Marie-Louise Carven | 1,750 |
| 4 | Jacques Callot | 1,530 |
| 5 | Edvard Munch | 1,042 |
| 6 | James McNeill Whistler | 998 |
| 7 | Alphonse Legros | 962 |
| 8 | Charles Balthazar Julien Févret de Saint-Mémin | 852 |
| 9 | Rembrandt | 769 |
| 10 | George Chinnery | 708 |
| 11 | Utagawa Hiroshige | 656 |
| 12 | Peter Paul Rubens | 619 |
Where the art lives
The works come from museums on every continent. These are the institutions whose open-access collections contribute the most to the archive.
| Rank | Museum | Location | Works |
|---|---|---|---|
| 1 | National Gallery of Art | Washington, D.C., United States | 36,526 |
| 2 | Victoria and Albert Museum | Royal Borough of Kensington and Chelsea, United Kingdom | 21,790 |
| 3 | Cleveland Museum of Art | Cleveland, United States | 19,107 |
| 4 | Museum of Modern Art | Manhattan, United States | 12,386 |
| 5 | Metropolitan Museum of Art | Manhattan, United States | 10,888 |
| 6 | Statens Museum for Kunst | Copenhagen Municipality, Denmark | 9,100 |
| 7 | Rijksmuseum | Amsterdam, Netherlands | 5,552 |
| 8 | Palais Galliera - Musée de la Mode de la Ville de Paris | France | 4,123 |
| 9 | Bavarian State Painting Collections | Munich, Germany | 3,620 |
| 10 | Museo del Prado | Madrid, Spain | 3,319 |
The shape of public-domain art is not neutral: it is warm, European, and densely 19th-century, because that is what entered museum collections and then aged out of copyright. Knowing the shape is the first step to reading against it — and every number here links straight into the works themselves.
How this was counted
Every figure on this page is computed directly from the Artifact World Gallery
corpus (build 2026-06-19T05Z-d430bcd5b96b) — not estimated. The
archive holds public-domain (CC0) artworks gathered from the open-access collections
of museums worldwide; counts are recomputed each time the collection is rebuilt, so
they reflect the archive as it stands today. Read our editorial
standards for how the collection is sourced and reviewed.
Frequently asked
- How many public-domain artworks are in the Artifact World Gallery archive?
- The archive holds more than 193,000 public-domain (CC0) artworks from over 5,000 museums and venues worldwide, by more than 27,000 identified artists. Every work is free to view and download in high resolution.
- What is the most-represented art movement in the collection?
- Romanticism is the single most-represented movement, with more than 25,000 works, followed closely by Impressionism and Realism — each above 23,000 works.
- Which century does the collection mostly come from?
- The collection is overwhelmingly early-modern to modern. More than 60,000 dated works — more than a third of everything with a known date — were made in the 19th century, the single busiest hundred years in the archive.
- Is the data free to use?
- Yes. Every artwork is public domain (CC0) and free to download, and these collection statistics are published openly for anyone to read and cite.