Subject
Necklace

Necklace is a subject in art. The gallery holds 106 works in this subject in art, including works by Titian, Paolo Veronese and Jean Baptiste Camille Corot.
A necklace is an article of jewellery worn around the neck, and it numbers among the very oldest forms of human adornment. By the Upper Palaeolithic, tens of thousands of years ago, people were stringing shells, animal teeth, bone and stone on sinew or plant fibre—objects that were at once decorative, ceremonial and protective. With the Bronze Age, worked metal supplanted these natural materials. Ancient Egypt produced the iconic broad collar, or wesekh, built from concentric rows of beads in gold, faience, carnelian, turquoise and lapis lazuli; worn by gods, pharaohs and, from the Eighteenth Dynasty, bestowed on officials and soldiers as a mark of honour. In Mesopotamia, gold and silver necklaces set with lapis and agate likewise signalled elite and divine status.
As a recurring motif in painting, the necklace functions as visual rhetoric. In Renaissance portraiture especially, pearls, gold chains and gemstones were deployed to communicate purity, wealth, legitimacy and dynastic or divine favour. Pearls carried connotations of chastity and virtue—hence their frequent appearance on saints, queens and brides—while a heavy gold chain announced rank and lineage. The jewel a sitter wore was rarely incidental; it was an argument about who they were.
This catalogue holds several works in which the necklace does exactly such work. Paolo Veronese's *Venus and Mars* and Lorenzo Lotto's *Saint Catherine* set pearls against flesh and brocade to signal beauty and sanctity alike. Rembrandt's *Flora* (c. 1654)—a meditation on Titian, possibly modelled on his late wife Saskia—crowns its goddess of spring with pearls amid foliage. In the American folk tradition, Joshua Johnson's *Emma Van Name* (c. 1805) shows a child in red coral beads, a material long believed to ward off harm; John Bradley's *Emma Homan* continues this limner convention of fixing a sitter's status through her ornament.
The necklace thus threads through nearly every period and school, from Egyptian funerary art to Venetian mythology, Dutch Golden Age portraiture and the itinerant portraitists of the early American republic. Whether talisman, dowry, dynastic emblem or pure ornament, it remains one of art's most enduring carriers of meaning—an object small in scale but freighted with identity.
Key artists
Iconography & meaning
Necklaces carry layered meanings depending on context. They often denote wealth and social rank, given their frequent manufacture from precious metals and stones. In religious and mythological imagery, they can signal sanctity, divinity, or earthly beauty. Ceremonial, magical, and funerary purposes are also documented. The band, chain, or cord that encircles the neck may support pendants, lockets, amulets, crosses, and gemstones, including diamonds, pearls, rubies, emeralds, and sapphires. In some traditions, necklaces serve as carriers of symbolic objects, such as cylinder seals in Ancient Mesopotamia or amulets in Ancient Egypt, linking the wearer to protective or devotional functions.
Across movements & periods
The treatment of the necklace has shifted considerably across cultures and eras. Prehistoric peoples fashioned necklaces from feathers, bone, shells, and plants, with evidence from southern and eastern Africa dating to 50,000 BP. By the Bronze Age, metal had largely supplanted organic materials. In Ancient Egypt, upper-class collars of semi-precious and precious materials served religious, celebratory, and funerary ends, while in Ancient Greece delicately worked gold necklaces with enamel rosettes and pendants were prized. The Hellenistic period introduced polychromatic stones and more elaborate pendants. Roman elites favored gold and silver with imported gems, and the Byzantine era saw Christian iconography replace earlier motifs. In medieval Europe, necklaces were uncommon until lower necklines gained favor; the Renaissance then brought heavy, gem-encrusted collars for men and simpler chains or pearls for women, trends that intensified into the sixteenth century with long pearl ropes and intricate pendants.
Legacy
The necklace persists as a potent visual motif with deep archaeological roots and continuing cultural resonance. The 2004 discovery of 75,000-year-old perforated shells in South Africa's Blombos Cave, potentially the oldest known necklace-like adornments, underscores the antiquity of neck ornamentation. From prehistoric status markers and magical aids to the refined luxury goods of classical civilizations and beyond, the necklace has maintained its role as a primary vehicle for personal and social expression. Its appearance across 191 works in this collection testifies to its enduring utility for artists signaling identity, narrative, and aspiration.
Works
Venus and Mars
Emma Homan
Flora
Saint Catherine
The Holy Family
Emma Van Name
Matilda Stoughton de Jaudenes
Mrs. Mayer and Daughter
Venus and Music
The Lacemaker
Mrs. Jacob Hurd and Child
The Origin of the Milky Way
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
Bathsheba at her bath
A Mother's Pearls
Cleopatra Testing Poisons on Condemned Prisoners
Moorish Bath
Magnolia
Portrait of a Lady
Portrait of a Woman
The Quadroon
The suicide of Lucretia
Mrs. Michael Taney (Monica Brooke)
Portrait of a Woman
Mrs. Warren Rogers (Julie Francoise Gabrielle d'Anterroches)
Mrs. John Adams Conant
Joseph and Potiphar's Wife
Portrait of a Lady
Bathsheba's Bath
Portrait of a Young Woman
A Princess of Saxony
Queen Charlotte
Mrs. Daniel DeSaussure Bacot
Mars and Venus with Cupid and a Dog
Portrait of a Woman
Portrait of a Woman
Portrait of Maria Portinari
Catherine Augusta Wilmerding
Salome with the Head of John the Baptist
Young Woman with a Red Necklace
Young Woman with a Pearl Necklace
Odalisque with Slave
Hendrickje Stoffels by a Door
Infanta Margarita Teresa
Portrait of a Woman with a Squirrel
Portrait of a Woman
Leda and the Swan
The Odalisque
The Judgement of Paris
Half-figure of a woman with a beret
A Young Woman with a Book
The Slave Market
Portrait of Henriette Petersen, née Philipsen, Mrs Michael Christian Petersen
Portrait of Praskovia Kovalyova-Zhemchugova, Countess Sheremeteva (1768-1803)
A lady combing her hair
Portrait of an Adolescent Girl
Bathsheba Bathing
Portrait of a Woman
Bocca Baciata
Portrait of Lucrezia Panciatichi
Interrupted Reading
Saskia as Flora
Lady Agnew of Lochnaw
Roman Shepherd Family in the Campagna
Portrait of a girl
Portret van burggravin Godelieve du Bus de Gésignies
Isabella of Portugal with Saint Elisabeth
Mary Lodge, Bride of Baron Charles-Louis de Keverberg de Kessel
Portrait of a Lady
Portret van Beatrix van Herreweghe
Portrait of Amélie Elisabeth of Hanau-Münzenberg
Muriel Maud Jerman (b.1876)
Portrait of Lady in a Pale Green Dress
Portrait of a man of the family Lespinette
Portret van een vrouw
Isobelle Humphreys-Owen
Portrait of Paulus de Nigro
Portret van kantkoopvrouw Anne Godderis-Tulpinck
A Vanitas
Bathsheba with King David's Letter
Young Woman with a Gold Chain
Portret van Maria Coutteau
The Honourable Jane Walsh (1910–1996)
The Mother of Rosina Davies
Portrait of an Unknown Lady
Saint Mary Magdalene
Portrait of Bice Sullam Pisa
Portret van Maria Jozefa Pavot
Porträtt sannolikt föreställande grevinnan Ulrika Lovisa Tessin, född Sparre (1711-1768)
Portrait of Mrs N.S. Falla
Portrait of a woman
Unknown woman
Youth
Large Pendant with Three Drops Below, Surrounded by Fifteen Different Studs
Large Pendant, Surrounded by Thirteen Studs
Large Pendant
Strapwork Pendant with Three Drops and Two Cross-Shaped Pendants as Earrings at Left and Right
Pendant Surrounded by Seven Shields and Two Ornamental Bands
Pendant with Two Double Crosses
Large Pendant with Square with 35 Flat Stones
Ornament
Cartouche Flanked by Dragons
Wilhelmina Carolina, Queen of England and Scotland
Young Woman with a Pearl Necklace
A Lady From the Mountain
Portrait of a Woman
Frequently asked questions
What is Necklace?
Necklace is a subject in art. A necklace is an article of jewellery that is worn around the neck.
How many Necklace works does Artifact World Gallery have?
Artifact World Gallery holds 106 public-domain Necklace works, all free to view and download.
Who are the key Necklace artists?
Key Necklace artists in the collection include Titian, Paolo Veronese and Jean Baptiste Camille Corot.
Where can I see Necklace works?
Necklace works in the collection are held by Metropolitan Museum of Art, National Gallery of Art and Groeningemuseum.